Air and branches
Work around trees, atmosphere, lightness, and space.
cuprotype/cyanotypes/ferroblend
Historical photographic processes
IJda Smits is a visual artist and poet.
After working as a painter and graphic artist, she now works with historical photographic processes.
Her work explores time, absence, memory, and the fragile way images come into being.
Chemistry and light are not only means of production, but part of the meaning itself.
She works with historical photographic processes such as cyanotype, cuprotype, Van Dyke Brown and gum bichromate. Her images move around absence, memory, silence and transformation.
click for opening gallery
Work around trees, atmosphere, lightness, and space.
cuprotype/cyanotypes/ferroblend
Stillness, reflection, fragility and what remains.
Van Dyke Brown
Objects, vessels and flowers held in a suspended time.
three layer cyanotypes and gumprints
Wild flowers in the grasslands
Van Dyke Brown hand-coloured with watercolour
Historical photographic processes
In 2020 I began wandering through postal code area 1064, gathering flowers and plants. The result is a florilegium — a Latin term for a treatise on flowers and ornamental plants, and a tradition dating back to the 17th century, when wealthy patrons commissioned artists to document the exotic plants arriving in Europe.
Florilegium Amsterdam 1064 is not only about the flowers and plants I find, but also about where I find them. It consists of 42 hand-coloured cyanotypes in A6, twelve cyanotypes of 19×28 cm, and nine cyanotypes on A4 handmade paper.
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Flowers from the park and the streets, taken home to make the photo's for the prints.
Cyanotypes, hand-coloured with watercolour
Plants found and photographed in the park and the streets
pure blue cyanotypes
Botanical toned cyanotypes using madderroot, fenugreek and other tannin-rich plants and seeds.
Printed on handmade Khadi paper they form one artwork, knotted with rope.
The part of the park that is in postcode area 1064 in Amsterdam
Nine landscape cyanotypes belonging to the Florilegium, knotted with rope to a bigger art work
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Transformation, instability and image as process.
Wet cyanotypes with botanical pigments
My shadow in eight cyanotypes with different moods.
Pure blue cyanotypes
Cameraless photography.
Cyanotypes and gum bichromate
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